Category Archives: Favorites

6000 Miles Away–or, a Love Letter to Sylvie Guillem

[Read this article on The Huffington Post.] To American ballet fans younger than 35 or so, Sylvie Guillem is a mythical creature. We missed her years as the star of first the Paris Opéra Ballet and then the Royal Ballet.

6000 Miles Away–or, a Love Letter to Sylvie Guillem

[Read this article on The Huffington Post.] To American ballet fans younger than 35 or so, Sylvie Guillem is a mythical creature. We missed her years as the star of first the Paris Opéra Ballet and then the Royal Ballet.

Mad Science: David Neumann/Advanced Beginner Group’s “Restless Eye”

[Read this review on The Huffington Post.] “I’m interested in an irrational response to our perceived place in the universe.” So says choreographer David Neumann in his program notes for Restless Eye, which runs through April 1 at New York Live

Mad Science: David Neumann/Advanced Beginner Group’s “Restless Eye”

[Read this review on The Huffington Post.] “I’m interested in an irrational response to our perceived place in the universe.” So says choreographer David Neumann in his program notes for Restless Eye, which runs through April 1 at New York Live

Pam Tanowitz’s Untitled (The Blue Ballet)

[Read this review on The Huffington Post.] The relationship between ballet and modern dance is at best uneasy. You might say they have trust issues. Ballet dancers tend to condescend to modern choreography, polishing the life out of it —

Pam Tanowitz’s Untitled (The Blue Ballet)

[Read this review on The Huffington Post.] The relationship between ballet and modern dance is at best uneasy. You might say they have trust issues. Ballet dancers tend to condescend to modern choreography, polishing the life out of it —