Elad Lassry’s Untitled (Presence) at the Kitchen

[Read this review on The Huffington Post.] She looks directly out at us from the wall, not quite smiling. There’s a hopefulness to her expression — maybe naïveté. She is enclosed in a simple rectangular frame, but there’s a second

Jonah Bokaer and Anthony McCall’s ECLIPSE at BAM Fisher

[Read this review on The Huffington Post.] Dance in the round is rich with possibility. Each viewpoint offers a chance to present a different aspect of the moving body, with no one angle being definitively “right” or “best.” As someone